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1. Take Back My Life |


The RiverFront Times - January 18-24, 1995
Local singer-songwriter Paul Stephens' self-titled
CD is a nice collection of gritty, melodic tunes that evoke everyone
from Springsteen, the Band and Tom Petty to the Smithereens. The
album is a resilient testimony to the power of solid popcraft,
and Stephens' elastic vocals stretch from soft and sweet (remember
the Pezband?) to a gnarly tone that threatens to erupt into Van
Morrison at any time but never quite does. Other strong points
are the tremendous guitar playing and cozy production (although
the vocals could have been produced a little more imaginatively).
The only drawback is the slightly spooky cover on which a plaintive-looking
Stephens stares directly at the beholder as if to say, "Just
look into my eyes." For a warmer, less creepy visual representation
of the artist, check out the back of the CD. And never, ever judge
a record by its cover.
Spotlight - April 1995
One day I was checking out the plethora of fliers on the massive bulletin board at Vintage Vinyl in University City, when a Paul Stephens poster caught my eye. Well, after listening to Stephens' self-titled, 10-song CD, it's easy to discern his hook-filled music.
"I've never really concerned myself with categories, just writing good songs," says Stephens. "I leave categorizing to A&R people." Stephens cites influences such as Jules Shear, John Hiatt, and Tom Petty. "Just write good songs," he says. (My colleague Kurt Keller likens his sound to that of Don Dixon.)
Stephens cut his teeth playing in bands as far back as Kashmir (with Matt Westphale, later of Suave Octopus) and former Pavlov's Dog axeman Steve Scorfina (who was also the original guitarist for REO Speedwagon) in the early '90's roots band "Memphis Underground". In addition, Stephens has worked with former Dog members Mike Safron and David Surkamp.
"Working with David was a very positive influence in developing as a song wrter," says Stephens, who helped back up Surkamp during a Mississippi River Music Fesitval appearance.
Stephens recorded the debut effort in his own 16-track studio/loft. The disc is currently being shopped to labels through Woodshed Recordings, the company he and his fiancée formed. "Our real mindset is to get a good independent distribution deal" says Stephens. "In fact, my main concern is just writing. I'd be just as happy if another artist picked up one of my songs and had a hit with it."
Since the November 1994 CD release, Stephens has
been assembling a stage band and is booking gigs to showcase his
original material in a live setting. He has already started working
on a second release.
-Billy Holley Jr.
